History of European Art Joseph Mallord Turner Essay

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three basic analytical questions and each answer has a maximum of 500 words

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3. How can the conditions of modernity be made visible in the medium of oil
painting? Discuss in relation to (a) and (b).
(a) J.M.W. Turner, Rain, Steam, and Speed, 1844. Oil on canvas, 91 x 122 cm.
National Gallery, London.
(b) J.M.W. Turner, Slavers throwing overboard the Dead and DyingTyphoon
coming on (“The Slave Ship’), 1840. Oil on canvas, 91 x 123 cm, Boston.
1. Using (a) and (b) as your starting point, discuss how the materiality of Inca
and Aztec objects might impact the way the Incas and Aztecs valued these
objects?
(a) “Checkerboard” tunic, Inca, 16th century, Metropolitan Museum of Art.
MOS
(b) Pectoral in the form of a double-headed serpent, Aztec, ca. 1400-1521, British
Museum.
6. Discuss (a) and (b) in relation to one another. How do these images respond to the
male gaze”?
(a) Martha Rosler, Semiotics of the Kitchen, 1975. Black-and-white video.
PROPERTY OF
JO
SPENCERY
(b) Jo Spence, Crisis Project/Picture of Health (Property of Jo Spence?), 1982.
Black-and-white photograph, collaboration with Terry Dennett.
d each answer has a maximum of 500 words

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Tags:
oil painting

Europan art

famous painters in Europe

introspective and
experiments

conditions of modernity

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